![]() Locked Rooms: A novel of suspense featuring Mary Russell and Sherlock Holmes (Paperback): The Game: A novel of suspense featuring Mary Russell and Sherlock Holmes (Paperback): Justice Hall: A novel of suspense featuring Mary Russell and Sherlock Holmes (Paperback): O Jerusalem: A novel of suspense featuring Mary Russell and Sherlock Holmes (Paperback): The third act is simply the best Holmes anything put to screen.This is book number 12 in the Mary Russell and Sherlock Holmes series. And despite the rumors about Daniel Day-Lewis taking on Holmes's nemesis, Ritchie opted for the quietly brilliant character actor Jared Harris, whose mild menace and crooning sadism is a Moriarty not told as Holmes's equal, but equitably shown. Jude Law's the natural culmination of Granada granting Watson dignity while existing in a state of constant exasperation. Downey adds new eccentricities yet his aura screams a vulnerable purity of character, especially when he incorporates tactile minutia from the books or channels Brett's operatic gestures. Somehow the creatives trike a consummate balance between faithfulness and re-invention, maybe because they never assume they're cleverer than Doyle. Then Game of Shadows, the sequel to their 2009's Sherlock Holmesfilm, cemented itself as the best modern-made portrayal by far with its take on The Final Problem. His casting raised eyebrows and so did the action movie stying courtesy of director Guy Ritchie. riding the height of his career renaissance. And Holmes's fondness for her is at its best when it's unnamed - no overt romances need apply.īefore Cumberbatch and Miller, there was Robert Downey Jr. She's an assured, accomplished, brilliant rule breaker who wants to live in peace with her husband. For one, Granada's Irene isn't overcomplicated into a criminal. Best of all is the faultless depiction of Irene Adler, a character 21st-century screenwriting can't seem to do justice. ![]() His presence commandeers attention and those elegant mannerisms, ravenous eyes, lithe features, and piercing verbosity are just icing on the cake of an immortalizing performance. Its adept Victorian atmosphere replete with waistcoats, horse-drawn carriages, and streetlamps feels cozy enough to warrant a warm cup of tea on a rainy day, and in Brett's debut tackling A Scandal in Bohemia, he swings for the astronomical fences. The Granada Television studio adapted forty-three of Doyle's works and is widely accepted as the most faithful interpretation. When he tried by tossing Holmes over Reichenbach Falls, the Victorian fanbase rioted en masseuntil Doyle resurrected him ten years later.Īt this point the English language needs to invent new words to praise Jeremy Brett's peerless performance as the consulting detective. The format is also idyllically simple Doyle didn't mess with success. At its core, the mysteries are engaging and the characters ripe for diverse interpretation. The only character to beat Holmes won on a technicality, since Dracula counts (pun intended) as "non-human." (Someone, please write that crossover.)Įver since his literary debut in 1887, something about the Holmes mythos has sustained him in the cultural iconography for iteration after iteration, and it isn't just the media's self-imposed obligation to remake properties assembly-line style. In 2012 the Guinness World Records named novelist Sir Arthur Conan Doyle's creation "the most portrayed literary human character in film & TV," and that's not counting the ten years since. Anyone with a passing knowledge of pop culture can probably guess which ubiquitous book character is just as prolific in the onscreen world: the man in the deerstalker himself, Sherlock Holmes.
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